6.1 KiB
Design System Strategy: Heritage Gallery Editorial
1. Overview & Creative North Star
The Creative North Star for this design system is "The Modern Curator." We are not building a standard utility app; we are designing a digital gallery that honors a rich culinary heritage through a modern, high-end editorial lens.
To achieve this, we move beyond the rigid "bootstrap" look. We break the template by embracing Intentional Asymmetry—where whitespace is as much a design element as the content itself. Overlapping elements, such as images bleeding off the edge or overlapping surface containers, create a sense of physical depth. By utilizing the Plus Jakarta Sans typeface at extreme scale contrasts, we establish an authoritative yet welcoming voice that feels premium, bespoke, and intentional.
2. Colors
Our palette is rooted in the warmth of tradition but executed with modern precision.
The Palette
- Primary (
#E1251B): A bold, vibrant red used for high-impact CTAs and core brand moments. - Secondary (
#FFBF3C): A warm gold, used to draw attention to interactive accents and "Mapan" highlights. - Tertiary (
#CA8342): An earthy, wood-tone brown used for sophisticated detailing and organic warmth. - Background (
#EADFD2): A soft, parchment-like neutral that provides the "gallery wall" for our content.
The "No-Line" Rule
Explicit Instruction: Do not use 1px solid borders to section off content. Traditional lines are "noise" that clutter the heritage aesthetic. Boundaries must be defined solely through background color shifts. For example, a surface-container-low section should sit directly on a surface background to define its territory.
Surface Hierarchy & Nesting
Treat the UI as a series of physical layers—stacked sheets of fine paper.
- Use the Surface Tiers (
surface-container-lowesttohighest) to create depth. - Nesting: An inner card should be
surface-container-lowest(pure white) when placed on asurface-container-lowsection. This creates a soft, natural "lift" without the need for artificial borders.
The "Glass & Gradient" Rule
To add "soul" to the interface:
- Glassmorphism: Use semi-transparent versions of
surfacecolors with abackdrop-blurfor floating navigation bars or modal overlays. - Signature Gradients: Use subtle transitions from
primary(#BB0004) toprimary-container(#E1251B) on large buttons or Hero backgrounds. This prevents the "flat-web" look and adds professional polish.
3. Typography
We use Plus Jakarta Sans to balance contemporary geometric shapes with warm, humanistic curves.
- Display Scale (
display-lgtosm): Used for "Hero" moments and editorial storytelling. Use extreme negative letter-spacing (-0.02em) to create a high-fashion, compact look. - Headline & Title Scale: These are your signposts. Use
headline-lgfor section headers with generous top-padding to let the "curation" breathe. - Body & Labels:
body-lg(1rem) is our standard for readability. Uselabel-mdfor metadata, ensuring high contrast using theon-surface-varianttoken.
The hierarchy is designed to be Editorial First: large headings should feel like magazine titles, while body text provides the "curator's notes" in a clean, legible block.
4. Elevation & Depth
In this design system, depth is felt, not seen. We favor Tonal Layering over structural shadows.
The Layering Principle
Depth is achieved by "stacking" the surface-container tiers. For instance, a floating action card should use surface-container-lowest to pop against a surface-dim background.
Ambient Shadows
When a physical "lift" is required (e.g., a floating bottom sheet):
- Diffusion: Shadows must be extra-diffused (Blur: 20px-40px).
- Opacity: Keep opacity between 4% and 8%.
- Tinting: Never use pure black. Tint the shadow with
on-surface(#201B13) to mimic natural, ambient light reflecting off the heritage wood tones.
The "Ghost Border" Fallback
If accessibility requires a container edge, use a Ghost Border: the outline-variant token at 15% opacity. Standard 100% opaque borders are strictly forbidden.
5. Components
Buttons
- Primary:
primarybackground withon-primarytext. Apply axl(0.75rem) roundedness for a modern, tactile feel. - Secondary:
secondary-container(#FEBE3B) withon-secondary-container. This acts as a "warm" alternative for secondary actions. - Glass Variant: For buttons sitting on imagery, use a semi-transparent
surfacewith a heavy blur.
Cards & Lists
- No Dividers: Forbid the use of horizontal rules. Separate list items using the Spacing Scale (e.g.,
spacing-4) or by alternating betweensurfaceandsurface-container-low. - Imagery: Cards should feature high-quality photography that bleeds to the top and sides, emphasizing the "Gallery" aesthetic.
Chips & Inputs
- Chips: Use
surface-container-highfor unselected states andtertiaryfor selected states. - Input Fields: Use a "minimalist-underlined" or "soft-filled" style. Forbid the heavy "boxed" input. The background should be
surface-container-lowest.
Signature Component: The "Heritage Overlay"
A specific component for this system: An image container with a tertiary-container (#A56526) accent tab in the corner, holding a label-sm tag. This mimics the labeling of artifacts in a gallery.
6. Do's and Don'ts
Do
- Do use intentional white space. If you think a section needs more room, double the spacing.
- Do overlap elements. Let a product image break the container of a card to create 3D interest.
- Do use the
tertiarywood-tones for subtle accents like icons or small labels to tie into the "Heritage" material.
Don't
- Don't use 1px solid black or grey borders. This immediately destroys the "Modern Gallery" feel.
- Don't use standard drop shadows. If it looks like a "box shadow," it’s too heavy.
- Don't crowd the layout. If the user feels overwhelmed, the "Curator" has failed.
- Don't use pure black (
#000000) for text. Useon-surface(#201B13) to keep the typography feeling organic and soft.